FULL CATALOG

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Large Ensemble (12 players +)

Breath, Contained III for amplified bubble wrap soloist and chamber orchestra (2023) - 22 minutes
(flute/piccolo, oboe, clarinet, sop/ten saxophone, bassoon, horn, trumpet, trombone, bubble wrap solo, 2 percussion, piano, 4 violins, 2 violas, 2 celli, 2 bass)
Commissioned by the Koussevitzky Foundation at Library of Congress for Contemporaneous

Simple Fuel for large ensemble (2018) - 11 minutes
(flute, oboe, clarinet, alto/bari saxophone, horn, 2 percussion, harp, piano, 2 violins, viola, cello)
Commissioned by the Chicago Center for Contemporary Composition for the Grossman Ensemble

Very Tall Very Bright for chamber orchestra (2017) - 8 minutes
(flute, oboe, clarinet, bassoon, horn, trumpet, trombone, 1 percussion, electric guitar, piano, 2 violins, viola, cello, bass)
Written for Wildup, 2017 Los Angeles Philharmonic National Composers Intensive

Strange Sounds and Explosions Worldwide for orchestra (2015-17) - 8 minutes
(3 flutes/piccolo, 2 oboes/English horn, 3 clarinets/bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, 3 percussion, piano, harp, strings)
Commissioned by the First Music program, New York Youth Symphony

Eyelids are Islands for chamber orchestra (2014) - 11 minutes
(flute, oboe, clarinet, bassoon, horn, trumpet, trombone, 1 percussion, celesta, 2 violins, viola, cello, bass)
Written as part of Copland Residency Award, for the Cornell Festival Chamber Orchestra

Cadenza for the Oboe Concerto in C major, K. 314 (271k) by Mozart (2019) - 2 minutes
(oboe solo, 2 oboes, 2 horns, strings)
Written for Olivier Stankiewicz and premiered with London Symphony Orchestra conducted by Jaime Martín

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Chamber (3 players +)

Held for harp, violin, cello with optional video - 16 minutes
Written for LSO Soundhub
Images/ video by Alexandra Cuesta

Rocalva for wind quintet - 15 minutes
Commissioned by Magnard Ensemble with support from PRS Women Make Music

evermore everyday for flute, clarinet, piano (2022) - 12 minutes
Commissioned by the Barlow Endowment for Parhelion Trio

Giving Ground for wind octet (2022) - 11 minutes
Commissioned by the Howard Hanson Institute for American Music for the Eastman Centennial

Farewell Dwelling for flute, yangqin, percussion, piano (2021) - 10 minutes
Commissioned by Tangram Collective

The Sea as Fallacy for wind quintet and piano (2020) - 6 minutes
Commissioned by Berlin Counterpoint

Flock for saxophone quartet (2018) - 9 minutes
Written for ~Nois, Chicago Center for Contemporary Composition

Plain, Air for string quartet and electronics (2018) - 45 minutes
Commissioned by the Spektral Quartet
Supported by 2017 Chamber Music America Classical Commissioning Grant

Hum Phenomenon for clarinet, piano, violin, cello (2017) - 6 minutes
Written for the 2017 CULTIVATE institute

Real Voices and Imagined Clatter for four percussionists (2014-15)- 12 minutes
Premiered by So Percussion at the Cornell Concert Series

Breath, Contained II for bubble wrap quintet and live electronics (2015) - 14 minutes
Written for Sandbox Percussion with Michael Compitello

Escape-Landscape for string quartet (2014) - 8 minutes
Written for the FLUX Quartet, 2014 Santa Fe Chamber Music Festival

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Solo and Duo

Tilt for bassoon (2021) - 5 minutes
Written for the Royal Academy of Music Bicentennial ‘200 Pieces’ Project

Soothe a Tooth for viola (2020) - 5 minutes
Commissioned by Riot Ensemble & Huddersfield Contemporary Music Festival for Stephen Upshaw

Tired Thing for piano and toy piano (2020) - 2 minutes
Commissioned by HOCKET for #What2020SoundsLike

The Fragile Season for violin (2020) - 1 minute
Commissioned by Arco Collective for Jennifer Koh’s “Alone Together” project

Several Rainy Seasons for viola and electronics (2019) - 14 minutes
Commissioned by the Fromm Foundation for Kurt Rohde’s “Farewell Tour Pt. 3”

Negative Magic for snare drum and optional electronics (2019) - 9 minutes
Commissioned by Michael Compitello for “Unsnared Drum”

Moves and Remains for solo violin (2018) - 10 minutes
Commissioned by Rebecca Hudson, Catherine Hayden, and Lawrence Hudson for violinist Benjamin Baker

Phenomenal Hum for piano, four hands (2017) - 8 minutes
Commissioned by HOCKET

Highwire for oboe and electronics (2017) - 10 minutes
Commissioned by Young Concert Artists for Olivier Stankiewicz

Reaction (Axis III) for flute and piano (2016) - 9 minutes
Commissioned by Duo Axis

Tribute (Axis II) for violin and piano (2016) - 11 minutes
Commissioned by violinist Nicholas DiEugenio for “The Beethoven Project”

Elegy (Axis I) for cello and piano (2016) - 13 minutes
Commissioned by Eugenia Zukerman for Clarion Concerts for Ed Arron and Jeewon Park

Games of Belief for solo piano (2015) - 13 minutes
Commissioned by Young Concert Artists for Daniel Lebhardt

Blue Skin of the Sea for solo marimba (2014) - 21 minutes
Commissioned by consortium members Michael Compitello, Gwendolyn Burgett, Ji Hye Jung, Ayano Kataoka, Katelyn King, Ian Rosenbaum, Leah Scholes, Jeff Stern, and Daniel Tones

Plush Earth in Four Pieces for violin and piano (2014) - 9 minutes
Written for Xak Bjerken and Vesselin Gellev

Breath, Contained for bubble wrap soloist and live electronics (2013) - 5-7 minutes

Hush for percussion and cello (2012) - 12 minutes
Commissioned by New Morse Code: Michael Compitello and Hannah Collins

Still Life Crumbles for violin and double manual harpsichord (2012) - 7 minutes
Written for violinist Ariana Kim and keyboardist Michael Pecak

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Vocal

The Return for baritone and piano (2020) - 2 minutes
Commissioned by Northern Chords Festival

Starting Places for SSAATTBB chorus (2019) - 12 minutes
Commissioned by Volti

From Ivory Depths for SSAATTBB chorus (2016) - 9 minutes
Written for 2016 Volti Choral Arts Lab

Without Color for youth SSA chorus (2015) - 3 minutes
Written for the Ithaca Children’s Choir

Smoke and Distance for mezzo-soprano and piano (2013) - 8 minutes
Written for the 2013 Tanglewood Music Center